Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Duccio di Buoninsegna
The third verloochening of Christ

ID: 42607

Duccio di Buoninsegna The third verloochening of Christ
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Duccio di Buoninsegna The third verloochening of Christ


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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.  Related Paintings of Duccio di Buoninsegna :. | Adoration of the Magi (mk08) | Altar Cross | Maesta | The Holy Woman at the Sepulchre | Polyptych No. 28 sdf |
Related Artists:
GADDI, Agnolo
Italian Early Renaissance Painter, ca.1345-1396
Walter I Cox
1866-1930 English

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Richard Westall
English Painter, 1765-1836 was an English painter. Westall was the more successful of two half-brothers (both sons of a Benjamin Westall, from Norwich), who each became painters. His younger half-brother was William Westall (1781C1850), a much-travelled landscape painter. Born on 2 January 1765 in Reepham near Norwich (where he was baptised at All Saints on 13 January in the same year) Richard Westall moved to London after the death of his mother and the bankruptcy of his father in 1772. He was apprenticed to a heraldic silver engraver in 1779 before studying at the Royal Academy School of Art from 10 December 1785. He exhibited at the Academy regularly between 1784 and 1836, became an Associate in November 1792 and was elected an Academician on 10 February 1794. From 1790 to 1795 he shared a house with Thomas Lawrence (later Sir), the future Royal Academy president, at 57 Greek Street, on the corner of Soho Square, each of the artists placing their name on one of the entrances. His works C many in water-colour - caused great interest in the late years of the 18th century when he was considered by his chief patron Richard Payne Knight as an outstanding artist of the picturesque. He painted works in a neo-classical style for John Boydell's Shakespeare Gallery and for Henry Fuseli's Milton Gallery. His painting of John Milton and his daughters hangs in Sir John Soane's Museum in London. A number of scenes in which Westall depicts events in the life of Horatio Nelson are at the Maritime Museum. Westall was a prolific illustrator of books of poets and writers including Sir Walter Scott and Oliver Goldsmith, Byron - who greatly admired his work, stating that "the brush has beat the poetry". He also illustrated editions of the Bible,






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